What distinguishes fiction from facts? John le Carré is renowned for Cold War spy thrillers, yet over half his books were published after 1990 and they tackled modern issues that he had to research. A new exhibition in Oxford documents his methods, and spotlights the networks of experts who helped him.
An accompanying book – titled Tradecraft: Writers on John le Carré – explores their experiences. Reflecting on her trip with the author to Congo, Michela Wrong sheds light on the collaborative process, while demystifying complex subjects such as the malevolent role of Rwanda in fomenting bloodshed.
Michela is an Africa specialist, whose books tell engaging stories for the general reader. However, as we discuss, the most compelling non-fiction rarely matches the reach of a bestselling novel. We nonetheless reflect on the importance of reporting, and the damaging impact of scaling it back.
I’ve long been a fan of how le Carré – a.k.a. David Cornwell – laced his plots with psychological drama and moral ambiguity as people struggle to do the right thing. This has a few parallels with epic yoga narratives. Our conversation mostly covers worldly matters, but we also talk about the workings of human delusions.
Finally, for non-UK listeners, here’s some context on Mr Bates vs the Post Office.
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